"WHEN WE ARE MUSIC, NOT TRYING TO MAKE MUSIC,
SOMETHING HAPPENS - ALL BECOMES SYNCHRONIZED AND
ORGANICALLY INTERTWINED AS IF IT WOULD BE COMPOSED,
BUT WE DO NOT GIVE ANY EFFORT, WE JUST FALL IN
AND ENJOY, CONNECT ... BECOMING MUSIC."
For thousands of years, throughout the evolution of man, music was there with him to express, to touch, to connect, and to uplift.
In ancient musical cultures music was used to evoke emotions, to support ceremonies and to bring people together; in joy and in grief. One may say it was the glue that held the tribe in unison.
These days music is mostly used to entertain. Modern popular music gives little importance, if any, to the range of frequencies it is made from, and rarely considers the subtle consequences of its ability to affect our body.
Slowly, slowly, over the past 30 years or so, musicians and scientists all over the world are re-acknowledging the deeper aspect of music - Sound & music can heal.
By using the organic frequencies of the human body we play the music of our being.
The Chakra Overtone Drum allows us to create an authentic musical manifestation of the condition our body and mind are in at a given moment.
The music we create can be used for emotional release, shifting of our energetic state of being, energizing our chakra system, or just for fun and entertainment.
What matters is that it is tuned to who we truly are.
for you to enjoy, get inspired by and play along with
COD - R.P sessions
Live and Improvised music, recorded during the Covid19 days by 3 musicians, connected through the heart.
Roni Bat-Or Parnass - N'goni, Dunun drums
Inbar Abrami - D'jembe, Dunun drums
Hidai Liberman - COD, Kalimba
All instruments are tuned to the frequencies of the body.
COD heart -
An electronic background track for you to play on with your own COD
VOCARE - A SOUND EXPERIENCE
Dear Listener, Fellow traveler,
You are invited to dive into an experience of sound and sensate feeling. What you will hear and feel arose spontaneously through six people for two days of healing sessions, completely immersed in the field of love.
These recordings are live improvisation, authentic unfolding in relationship to what was happening in the room at that time. The breathing and back "noises" are a part of the healing that occurred. The spoken words are poems that were intuitively chosen in the moment, creating with the music, a synergistic effect, and an enhancement to the healing process.
The instruments – the Chakra Overtone Drums, Silver flutes, and piano, are tuned to frequencies that resonate naturally and organically in the human body. As such, they evoke emotions, sensations, and movement. As you listen, open to sounds washing over you and moving through you, and allow the wisdom of the body to respond to the healing frequencies transmitted.
This transmission can be used in many ways - in personal, professional, group, or ceremonial settings, as a support in your personal meditation, as a healing tool, and as a background for guided visualizations. Simply let your heart lead the way to make use of what is offered here. Enjoy the journey.
This sound experience is a transmission of love – channeled through the heart field for the purpose of healing. From each of us and us as one heart, we most sincerely offer these recordings in service of all life and in the name of love.
Taking part in this recording:
Artwork by Sherry Pea
THROUGH THE EYES OF A MUSICIAN
by Hidai Liberman
"The Chakra Overtone Drum (COD) started its way as a tongue drum from the family of Steel Handpans. As a musician and percussionist, I enjoyed the first version of it – the FUNTONE, as well as the Swiss "PanArt" HANG and many others. The main reason was that they offered me a unique combination of drumming while playing melodies at the same time. Yadin Kaplansky, who comes from the world of Brennan Healing Science had heard me play and asked me what would happen, musically, if the scale would not be the ordinary 440hz scale used in modern music, but rather a more organic 432hz scale. That is the very same scale that resonates with the chakras.
We asked Anton Koren, the maker of the original FUNTONE to make one prototype of a Funtone tuned to the precise frequencies of the chakras. When I first played it, something in the music felt different. The drumming technique was the same and it created beautiful tunes just as easy as before, but the resonance in my body felt different. I could literally feel my hands creating harmonic combinations that were new to me as if something inside me took over and started playing on its own. Later on, when my High Sense Perception developed and I developed the ability to perceive more of the human energy field, I realized that my own field was drawn to create the sound frequencies it needed, just the same as when you're hungry, you get the taste of the food your body needs.
I started playing differently. I wasn't thinking anymore about rhythm, technique, or harmony, but rather learned to feel into the vibration of my chakras and allow my field to take in whatever healing frequencies it needed. The music that came out felt like angelic healing music.
Gradually my focus became more and more the COD and its organic frequencies. While performing, I noticed different reactions from the audience. Many people fell into a meditative trance-like state and I could feel the entire atmosphere becoming softer and more charged. Often I'd finished playing and people would remain seated with closed eyes.
Today I no longer make a distinction between making music and energy healing. I've become a Musician-Healer, I use the organic frequencies of the COD to consciously affect the energy fields of the people I play for, and I started doing one on one music-healing sessions. In these sessions, I find that people intuitively learn how to play the COD quicker than any other instrument I've taught before. Often, allowing the organic chakras frequencies in, they get emotional and process blocked feelings.
As a musician, working with the COD requires that you to let go of all music theory and traditional musical thinking, and let a new paradigm set in. For someone who is not a musician, playing and working with the COD is a bridge into the music which lays hidden inside him, the music that for most people remains beyond reach. I humbly realize the added value of what music has to offer us. Apart from entertaining, moving, and connecting, it is a pure vessel of healing."